{"id":1244,"date":"2025-08-27T12:12:10","date_gmt":"2025-08-27T10:12:10","guid":{"rendered":"https:\/\/lamama.fr\/blog\/?p=1244"},"modified":"2026-05-05T10:59:48","modified_gmt":"2026-05-05T08:59:48","slug":"filmer-en-log","status":"publish","type":"post","link":"https:\/\/lamama.fr\/blog\/filmer-en-log\/","title":{"rendered":"Filmer en log"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Pourquoi et comment filmer en LOG ?<\/h1>\n\n\n\n<p>Si vous avez d\u00e9j\u00e0 tourn\u00e9 des vid\u00e9os et que vous vous \u00eates demand\u00e9 pourquoi certaines productions ont une qualit\u00e9 d\u2019image si cin\u00e9matographique, la r\u00e9ponse tient souvent en un mot :&nbsp;<strong>LOG<\/strong>. Ce format, largement utilis\u00e9 dans l\u2019industrie du cin\u00e9ma et de la publicit\u00e9, permet de capturer une image avec une&nbsp;<strong>plage dynamique \u00e9tendue<\/strong>, offrant une&nbsp;<strong>flexibilit\u00e9 in\u00e9gal\u00e9e en post-production<\/strong>.<\/p>\n\n\n\n<p>Mais filmer en LOG, c\u2019est aussi faire un choix strat\u00e9gique : ce n\u2019est pas juste un \u00ab meilleur \u00bb format, c\u2019est un workflow sp\u00e9cifique qui demande des r\u00e9glages pr\u00e9cis, une bonne gestion de l\u2019exposition et une post-prod adapt\u00e9e. Voyons ensemble pourquoi et comment bien l\u2019utiliser !<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Qu\u2019est-ce que le mode LOG dans les cam\u00e9ras ?<\/h2>\n\n\n\n<p>Le&nbsp;<strong>LOG (ou logarithmique)<\/strong>&nbsp;est un profil d\u2019image con\u00e7u pour&nbsp;<strong>pr\u00e9server un maximum d\u2019informations dans les hautes lumi\u00e8res et les ombres<\/strong>. Contrairement aux profils standard ou plats, qui appliquent d\u00e9j\u00e0 des corrections colorim\u00e9triques et de contraste, une image LOG para\u00eet&nbsp;<strong>terne et d\u00e9satur\u00e9e \u00e0 la sortie de la cam\u00e9ra<\/strong>. Mais c\u2019est justement cette caract\u00e9ristique qui permet ensuite un&nbsp;<strong>\u00e9talonnage optimal<\/strong>, en ajustant les couleurs et le contraste avec une grande pr\u00e9cision.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Quelle diff\u00e9rence entre LOG, RAW et REC709 ?<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th><strong>Format<\/strong><\/th><th><strong>Caract\u00e9ristiques<\/strong><\/th><th><strong>Avantages<\/strong><\/th><th><strong>Inconv\u00e9nients<\/strong><\/th><\/tr><\/thead><tbody><tr><td><strong>LOG<\/strong><\/td><td>Image d\u00e9satur\u00e9e, contraste r\u00e9duit<\/td><td>Grande plage dynamique, souplesse en post-prod<\/td><td>N\u00e9cessite un \u00e9talonnage, plus complexe \u00e0 g\u00e9rer<\/td><\/tr><tr><td><strong>RAW<\/strong><\/td><td>Donn\u00e9es brutes du capteur, aucun traitement appliqu\u00e9<\/td><td>Flexibilit\u00e9 maximale, qualit\u00e9 optimale<\/td><td>Fichiers tr\u00e8s lourds, workflow plus technique<\/td><\/tr><tr><td><strong>REC709<\/strong><\/td><td>Image pr\u00eate \u00e0 l\u2019emploi, standard vid\u00e9o<\/td><td>Facile \u00e0 utiliser, pas de post-prod n\u00e9cessaire<\/td><td>Plage dynamique limit\u00e9e, moins de flexibilit\u00e9<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>\ud83d\udc49&nbsp;<strong>En r\u00e9sum\u00e9<\/strong>&nbsp;: Si vous voulez une image pr\u00eate \u00e0 diffuser sans retouche, optez pour du REC709. Si vous avez&nbsp;<strong>besoin de contr\u00f4ler totalement votre image en post-prod<\/strong>, le LOG est un excellent compromis entre le RAW (tr\u00e8s lourd) et les profils standard.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lamama.fr\/wp-content\/uploads\/2025\/03\/La_mama_studio_log_rec709.jpg\" alt=\"\" class=\"wp-image-135494\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Les avantages de filmer en LOG<\/h2>\n\n\n\n<p>Le LOG est particuli\u00e8rement utile pour :<\/p>\n\n\n\n<p>\u2705&nbsp;<strong>Capturer une plage dynamique \u00e9tendue<\/strong>&nbsp;\u2192 Id\u00e9al pour des sc\u00e8nes contrast\u00e9es (ext\u00e9rieur, contre-jour\u2026).<br>\ud83c\udfa8&nbsp;<strong>Maximiser la flexibilit\u00e9 en post-production<\/strong>&nbsp;\u2192 Ajustez la colorim\u00e9trie selon votre style.<br>\ud83c\udfa5&nbsp;<strong>Produire des vid\u00e9os au rendu professionnel<\/strong>&nbsp;\u2192 Utilis\u00e9 en cin\u00e9ma, publicit\u00e9 et documentaire.<br>\ud83d\udcf9&nbsp;<strong>Optimiser l\u2019image selon le projet<\/strong>&nbsp;\u2192 Compatible avec des LUTs pour un look cin\u00e9matographique instantan\u00e9.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les limites et contraintes du tournage en LOG<\/h2>\n\n\n\n<p>\u26a0\ufe0f&nbsp;<strong>\u00c9talonnage obligatoire<\/strong>&nbsp;\u2192 Une image LOG brute est fade, il faut donc la retravailler.<br>\ud83d\udd26&nbsp;<strong>Exposition d\u00e9licate<\/strong>&nbsp;\u2192 Mal expos\u00e9, le LOG peut g\u00e9n\u00e9rer du bruit num\u00e9rique dans les ombres.<br>\ud83d\udcbe&nbsp;<strong>Fichiers volumineux<\/strong>&nbsp;\u2192 Plus de donn\u00e9es = plus d\u2019espace de stockage et plus de puissance en montage.<br>\ud83d\udcf9&nbsp;<strong>Mat\u00e9riel compatible<\/strong>&nbsp;\u2192 Toutes les cam\u00e9ras et logiciels ne g\u00e8rent pas le LOG de la m\u00eame mani\u00e8re.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les bonnes pratiques pour filmer en LOG<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">1. Choisir le bon profil LOG selon votre cam\u00e9ra<\/h3>\n\n\n\n<p>Chaque marque propose son propre profil LOG :<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th><strong>Marque<\/strong><\/th><th><strong>Profil LOG<\/strong><\/th><\/tr><\/thead><tbody><tr><td>Sony<\/td><td>S-Log3<\/td><\/tr><tr><td>Canon<\/td><td>C-Log<\/td><\/tr><tr><td>Panasonic<\/td><td>V-Log<\/td><\/tr><tr><td>Blackmagic<\/td><td>Film LOG<\/td><\/tr><tr><td>Fuji<\/td><td>F-Log<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>\ud83d\udc49&nbsp;<strong>Les smartphones r\u00e9cents (iPhone, Android)<\/strong>&nbsp;permettent aussi de filmer en LOG, notamment avec des apps comme Filmic Pro.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2. R\u00e9gler l\u2019exposition correctement<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Utilisez les outils de mesure<\/strong>\u00a0comme le\u00a0<strong>zebra, l\u2019histogramme et les scopes<\/strong>.<\/li>\n\n\n\n<li><strong>Exposez \u00e0 droite<\/strong>\u00a0: Une image l\u00e9g\u00e8rement surexpos\u00e9e en LOG r\u00e9cup\u00e8re mieux les ombres.<\/li>\n\n\n\n<li><strong>\u00c9vitez de sous-exposer<\/strong>\u00a0: Trop sombre, vous risquez d\u2019amplifier le bruit num\u00e9rique.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>3. Tourner en 10 bits minimum<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Un fichier\u00a0<strong>10 bits<\/strong>\u00a0capture plus de nuances de couleurs qu\u2019un\u00a0<strong>8 bits<\/strong>, limitant les probl\u00e8mes de banding.<\/li>\n\n\n\n<li>En 8 bits, les d\u00e9grad\u00e9s peuvent \u00eatre moins fluides, surtout en post-prod.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>4. G\u00e9rer la balance des blancs et la colorim\u00e9trie<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Fixez une balance des blancs neutre<\/strong>\u00a0\u2192 Le LOG ne pardonne pas une mauvaise balance des blancs.<\/li>\n\n\n\n<li><strong>Adaptez votre profil colorim\u00e9trique<\/strong>\u00a0selon la destination finale (broadcast, web, cin\u00e9ma\u2026).<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Comment \u00e9talonner une vid\u00e9o film\u00e9e en LOG ?<\/h2>\n\n\n\n<p>1\ufe0f\u20e3&nbsp;<strong>Appliquer une LUT de conversion<\/strong>&nbsp;\u2192 Beaucoup de profils LOG ont des LUTs d\u00e9di\u00e9es pour un premier rendu.<br>2\ufe0f\u20e3&nbsp;<strong>Corriger l\u2019exposition et la balance des blancs<\/strong>&nbsp;\u2192 Ajustez pour \u00e9viter un rendu trop chaud ou trop froid.<br>3\ufe0f\u20e3&nbsp;<strong>Affiner la colorim\u00e9trie<\/strong>&nbsp;\u2192 Saturation, contraste, teinte\u2026 selon le style souhait\u00e9.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Faut-il toujours filmer en LOG ?<\/h2>\n\n\n\n<p>Non ! Le LOG est&nbsp;<strong>puissant, mais pas toujours n\u00e9cessaire<\/strong>. Il est id\u00e9al pour :<br>\u2705 Des projets avec un&nbsp;<strong>gros travail en post-prod<\/strong>.<br>\u2705 Des sc\u00e8nes avec&nbsp;<strong>des contrastes \u00e9lev\u00e9s<\/strong>&nbsp;(ext\u00e9rieurs, lumi\u00e8res dures).<br>\u2705 Des vid\u00e9os o\u00f9 la colorim\u00e9trie doit \u00eatre pr\u00e9cise et contr\u00f4l\u00e9e.<\/p>\n\n\n\n<p>Mais pour du&nbsp;<strong>contenu rapide<\/strong>&nbsp;destin\u00e9 aux r\u00e9seaux sociaux ou un projet o\u00f9 le post-traitement est limit\u00e9, un&nbsp;<strong>profil standard ou REC709<\/strong>&nbsp;peut \u00eatre plus pertinent.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion<\/h2>\n\n\n\n<p>Filmer en LOG ouvre des possibilit\u00e9s incroyables en termes de qualit\u00e9 d\u2019image et de flexibilit\u00e9. Mais il demande une bonne gestion des r\u00e9glages et un passage obligatoire par l\u2019\u00e9talonnage. Si vous cherchez \u00e0 donner un rendu&nbsp;<a href=\"https:\/\/lamama.fr\/production-video\/\"><strong>cin\u00e9matographique et professionnel<\/strong><\/a>&nbsp;\u00e0 vos vid\u00e9os, ma\u00eetriser le LOG est une comp\u00e9tence essentielle.<\/p>\n\n\n\n<p>\ud83d\udc49&nbsp;<strong>Vous souhaitez un rendu visuel unique et ma\u00eetris\u00e9 pour vos productions ?<\/strong><a href=\"https:\/\/lamama.fr\/nous-contacter\/\">&nbsp;Contactez&nbsp;<strong>La Mama Studio<\/strong><\/a>&nbsp;et discutons ensemble de vos besoins en tournage et post-production !<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pourquoi et comment filmer en LOG ? Si vous avez d\u00e9j\u00e0 tourn\u00e9 des vid\u00e9os et que vous vous \u00eates demand\u00e9 pourquoi certaines productions ont une qualit\u00e9 d\u2019image si cin\u00e9matographique, la r\u00e9ponse tient souvent en un mot :&nbsp;LOG. Ce format, largement utilis\u00e9 dans l\u2019industrie du cin\u00e9ma et de la publicit\u00e9, permet de capturer une image avec [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1245,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,3],"tags":[],"class_list":{"0":"post-1244","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-etude-de-cas","8":"category-tendances"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Filmer en LOG : les avantages de ce format vid\u00e9o<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez les \u00e9tapes essentielles pour r\u00e9ussir un tournage vid\u00e9o : pr\u00e9paration, mat\u00e9riel, techniques de prise de vue et post-production.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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